I’ve got to tell you my tale…
Some of you will doubtless be familiar with the subject at hand, others perhaps not. For many years I’ve known that one day I would have to write down one specific story in particular. At the same time, I always promised myself that I wouldn’t do so until I thought I was capable of doing it justice. Apart from a grand total of one set of lyrics that were actually set to music, up until a little over a year ago I’d never really written anything much beyond what was required for work, university and so on. It took me long enough to gather the courage to submit anything for consideration, even to my favourite travel site. I certainly didn’t think that the time would come so soon for this tale to be told.
Then, in late April, several stimuli conspired to make me sit down and write the first draft of that story. I’d just read A Million Mutinies Now by VS Napaul wherein, at one point, he says:
…writing, the ordering of events and emotion, made things manageable for me, helped me as it were to clear the decks…
which stuck in my mind for many days thereafter.
Another was that for reasons I can’t explain I’d been thinking about the event in question on and off over recent weeks, and yet another was that I’d been reading the Experience column in the Saturday Guardian magazine fairly regularly. The feeling was beginning to creep up on me that it might be time to get it done.
Then on 24 April I met up with Joe in Robbie’s for a couple of after-work beers and the conversation turned to occupations, and how much better it was to do something that, regardless of whether or not it made one rich or famous, made one happy. He’s a musician and he’s trying to make his way at that. My obvious point of reference is my dad, who has managed to spend most of his working life doing what he’s best at and enjoys most. So it was, ironically enough, that I went home thinking about my dad and how much I admire his determination to stick to his calling, no matter what.
I say ironically because the story I’m talking about concerns my mum, the night of her death and the effect it has had on my life. Yet that first draft began by talking about my dad and my admiration for him. I worked on it until I thought it was good enough and then, not because I needed anyone else to see it, but because it had been part of the inspiration to finally write it down, submitted it to the Guardian’s Experience column. To not do so seemed somehow dishonest. The main point though was to write it, to clear the decks, as it were.
It was rejected, but they suggested I consider submitting it to the newspaper’s My Story column, which features in the supplement on a Monday and Saturday. “Oh well”, I thought, “I’ve taken it this far, why not?” They decided they might want to run it, and so over the past seven weeks or so I’ve been working on it on and off, first expanding its scope then whittling it down again. I haven’t worked so hard on anything for a long time. It’s inevitably been difficult at points, but utterly deserving of my best effort. It’s the end of a long process, to find peace with it, and I had to get it as right as I could.
A few weeks ago a nice man with a camera came and took my picture, as it happens while I had a nasty little cold, so lord knows how that’s going to look, but still. Maybe they can get the airbrush out. (Strangely enough he had a not dissimilar tale to tell – there’s a lot of it about you know.) I got the editor’s draft back on Tuesday and made a final edit myself. It’s due to be published in the G2 supplement on Monday.
I don’t urge you to read it – that’s entirely up to you – I did this for myself and for my own reasons. It was something I’ve always had to do, and now it’s done. If you’re not in the UK and wish to, I imagine it’ll appear here soon enough.
When thinking of a title for this (very long, I know) post, Mad Richard’s lyrics to History came to mind, but in fact only that one line is really relevant, so the notion’s not so appropriate after all. More apt, perhaps, is a verse of the poem from which he pinched half of them, Blake’s London:
In every cry of every man,
In every infant’s cry of fear,
In every voice, in every ban,
The mind-forged manacles I hear
Mind-forged manacles, indeed. History, yes.